Cuaderno de historietas grapado de 24 páginas interiores en color más cubiertas en su versión original en inglés.
After the first 18 issues (and various crossovers and annuals written by Paul Kupperberg, he was replaced by Grant Morrison, he used DC's Invasion crossover to restart the book. He took the Doom Patrol, and superhero comic books in general, to places they had rarely been, incorporating bizarre secret societies, elements of Dada, surrealism, and the cut-up technique pioneered by William S. Burroughs and Brion Gysin. He also borrowed the ideas of Jorge Luis Borges and Heinrich Hoffmann. The original creator, Arnold Drake, said Morrison's was the only subsequent run to reflect the intent of the original series. Over the course of the series, Morrison dedicated some issues to parody and homage. Willoughby Kipling led the Doom Patrol on a parody of the Brujería story arc of Swamp Thing: A Murder of Crows in issues #31-32. Issue #42 featured the origin of Flex Mentallo, who was supposed to be the character in the Charles Atlas ad. A belated lawsuit from the Charles Atlas Company showed that DC was protected under Fair Use doctrine in addition to an expired statute of limitations. Issue #53 featured a dream sequence that mimicked the Stan Lee/Jack Kirby Fantastic Four, borrowing plot points both from the Galactus Trilogy (FF #48-50) and FF #51, "This Man, This Monster." Another special called Doom Force was released as a one-shot and was meant to mimic and parody the X-Force book by Rob Liefeld. Issue #45 parodied Marvel's Punisher in a satire called the Beard Hunter.
